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The 16th-century musicologist Pundarika Vitthala, who worked in north India, wrote the treatise:
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Answer: Option B — Ragamala
Detailed Solution
Pundarika Vitthala, a 16th-century musicologist from Karnataka who worked in north India, wrote the treatise "Ragamala", along with other works on music.
About Pundarika Vitthala:
- He was born in the Karnataka region (near Shivaganga, in the Satanur area), in the 16th century.
- He moved to north India, where he served Burhan Khan Faruqi of Khandesh and later the Kachhwaha rulers of Amber (such as Raja Man Singh I), who were nobles of Akbar.
- He was one of the earliest scholars to try to bring together the music systems of the north (Hindustani) and the south (Carnatic).
His works:
- "Sadragachandrodaya": written at the court of Khandesh; describes the ragas and the scale system.
- "Ragamala": describes ragas and their families (raga-ragini system), along with their forms.
- "Ragamanjari": written for the Kachhwaha court; classifies ragas.
- "Nartananirnaya": a work on dance, written in the reign of Akbar.
Importance:
- His works are important sources for the history of Indian music in the 16th century, a time of change and new ideas.
- They show how music was patronised by both Hindu and Muslim rulers.
About the raga-ragini system:
- In this system, ragas were grouped into families, with a male raga and several female raginis.
- This system inspired "Ragamala" paintings, a famous genre of Indian miniature painting, in which each raga or ragini is shown as a scene with a particular mood, season and time of day.
Other medieval works on music:
- "Sangita Ratnakara": by Sarangadeva (13th century).
- "Sangita Parijata": by Ahobala (17th century).
- "Swaramela Kalanidhi": by Ramamatya (16th century, Vijayanagara).
- Good to know
- They were written by other musicologists.
Quick tip
Remember: Pundarika Vitthala = Ragamala, Sadragachandrodaya, Ragamanjari, Nartananirnaya (16th century; Khandesh and Amber courts); Sangita Ratnakara = Sarangadeva.
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Music & Musical Instruments — Preparation
This question tests your understanding of Music & Musical Instruments, a key topic in the General Knowledge section. The detailed solution above uses a step-by-step approach to show the reasoning, and where available, a shortcut that helps you solve similar questions in under 90 seconds during the actual exam.
This topic covers Indian classical music, its two main traditions (Hindustani and Carnatic), gharanas, ragas and talas, folk music styles, and the musical instruments of India along with the artists who are famous for playing them. It also includes the four classes of instruments: string (tata), wind (sushira), percussion (avanaddha) and solid (ghana). Exam questions usually pair an instrument with its maestro, such as the sitar with Pandit Ravi Shankar, the shehnai with Ustad Bismillah Khan or the santoor with Pandit Shivkumar Sharma. Other common questions ask about the origin of a gharana, the instrument a folk style uses, or the class an instrument belongs to. Making a two-column list of instruments and artists is the quickest way to revise. Practise the music and musical instruments questions below, written in the style of the general awareness sections of exams such as SSC, banking, railways, CUET GAT, MAH CET and CLAT. Each question comes with a detailed explanation that adds related facts, so every question helps you revise more than one point.