Question 23 of 173 · Music & Musical Instruments
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Who is known as the father of Qawwali in India?

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Answer: Option A — Amir Khusrau

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Explanation

Amir Khusrau (1253-1325) was a poet, musician and scholar who lived in Delhi during the time of the Delhi Sultanate. He is regarded as the father of qawwali, the devotional music of the Sufis, and is credited with shaping it into the form that is still performed today.

Amir Khusrau was born in Patiali, in present-day Uttar Pradesh, to a Turkish father and an Indian mother. He served as a court poet under several rulers of the Delhi Sultanate, including Alauddin Khalji and Ghiyasuddin Tughlaq. He was a devoted disciple of the great Sufi saint Hazrat Nizamuddin Auliya of the Chishti order, and he is buried next to his master at the Nizamuddin Dargah in Delhi, where qawwalis are still sung every evening. Qawwali developed from the Sufi practice of sama, listening to music and poetry as a way to come closer to God. Amir Khusrau combined Persian, Arabic, Turkish and Indian musical traditions to create it. He is also credited with creating the tarana and with contributing to the development of the khayal style, and tradition credits him with inventing the sitar and the tabla, although many historians question this. He wrote poetry in Persian and in Hindavi, the early form of Hindi and Urdu, and is called the "Tuti-e-Hind" (Parrot of India).

Why not the other options?

  • ✗Tansen was the great Dhrupad singer at the court of Akbar.
  • ✗Kabir was a 15th century Bhakti poet and saint, whose dohas are still sung.
  • ✗Bulleh Shah was an 18th century Sufi poet of Punjab, whose poetry is often sung in qawwali and Sufi music, but he is not the father of qawwali.

💡 Exam tip

Link Amir Khusrau with qawwali, the title "Tuti-e-Hind", his guru Nizamuddin Auliya and the Delhi Sultanate.

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Music & Musical Instruments — Preparation

This question tests your understanding of Music & Musical Instruments, a key topic in the General Knowledge section. The detailed solution above uses a step-by-step approach to show the reasoning, and where available, a shortcut that helps you solve similar questions in under 90 seconds during the actual exam.

This topic covers Indian classical music, its two main traditions (Hindustani and Carnatic), gharanas, ragas and talas, folk music styles, and the musical instruments of India along with the artists who are famous for playing them. It also includes the four classes of instruments: string (tata), wind (sushira), percussion (avanaddha) and solid (ghana). Exam questions usually pair an instrument with its maestro, such as the sitar with Pandit Ravi Shankar, the shehnai with Ustad Bismillah Khan or the santoor with Pandit Shivkumar Sharma. Other common questions ask about the origin of a gharana, the instrument a folk style uses, or the class an instrument belongs to. Making a two-column list of instruments and artists is the quickest way to revise. Practise the music and musical instruments questions below, written in the style of the general awareness sections of exams such as SSC, banking, railways, CUET GAT, MAH CET and CLAT. Each question comes with a detailed explanation that adds related facts, so every question helps you revise more than one point.